Why the NEA story is important

Patterico explains:

Why This Story Is Important

It would be a mistake to dismiss this story as unimportant because there is no jaw-dropping angle like ACORN staffers’ apparent complicity in trafficking in under-age children for prostitution. Consider what is happening: the NEA is encouraging artists to create propaganda for a president’s policy initiatives. This is a corrosive precedent — and what’s more, it illustrates the overarching danger of the Obama administration: government, by increasingly taking over various aspects of American society, threatens to bend society to the will of a single man.

It would also be a mistake to dismiss the story as old just because the basic contours of the story were revealed in August. Since then, the NEA and the Obama administration have denied pursuing a legislative agenda in the call; today it is clear that they lied. What’s more, they tried to cover it up with the reassignment of Sergant. And the media played right along, for the most part acting as though that was the end of it.

The most obviously interesting question in all this going forward is whether laws were broken with this call.

Regardless of the answer to that question, this is an important story with implications that go beyond the NEA. Here’s the bottom line. Before today, Obama took over car companies and used his power over those companies to further his agenda of producing cars he believed consumers should own. Today, he increases government power over artists, to harness their creative powers to the “service” of his political agenda. What will come tomorrow, when Our Leader takes over health care, new industries, or God knows what else?