I blogged the other day that Tom Lehrer’s MLF Lullaby, although about Germany, worked well with Islam in the starring role. It turns out that Tom Leher was prescient about folk songs too. First, the New York Times story:
When one of Cuba’s best-known musicians landed in the United States, his first appearance was not onstage, but on Capitol Hill.
Carlos Varela, often referred to as Cuba’s Bob Dylan, had come to remix an album with his good friend Jackson Browne. But he also hoped to help reshape relations between the United States and his homeland.
So before going to Hollywood to work on the album, he stopped in Washington early this month for meetings with legislators and a lunch with a senior White House official. Later he held a jam session in the House Budget Committee meeting room.
Almost everywhere Mr. Varela, 46, went during his weeks here, including at universities and policy institutes, small talk about music gave way to pressing, albeit polite, questions on policy.
“I don’t represent any government or political party,” he said. “But perhaps that’s why governments and politicians might be willing to listen to what I have to say.”
Yes, it is a Cuban folk song army. And yes, Tom Lehrer wrote more than forty years ago about folk song armies:
One type of song that has come into increasing prominence in recent months is the folk-song of protest. You have to admire people who sing these songs. It takes a certain amount of courage to get up in a coffee-house or a college auditorium and come out in favor of the things that everybody else in the audience is against like peace and justice and brotherhood and so on. The nicest thing about a protest song is that it makes you feel so good. I have a song here which I realize should be accompanied on a folk instrument in which category the piano does not alas qualify so imagine if you will that I am playing an 88 string guitar.
We are the Folk Song Army.
Everyone of us cares.
We all hate poverty, war, and injustice,
Unlike the rest of you squares.
There are innocuous folk songs.
Yeah, but we regard ’em with scorn.
The folks who sing ’em have no social conscience.
Why they don’t even care if Jimmy Crack Corn.
If you feel dissatisfaction,
Strum your frustrations away.
Some people may prefer action,
But give me a folk song any old day.
The tune don’t have to be clever,
And it don’t matter if you put a coupla extra syllables into a line.
It sounds more ethnic if it ain’t good English,
And it don’t even gotta rhyme–excuse me–rhyne.
Remember the war against Franco?
That’s the kind where each of us belongs.
Though he may have won all the battles,
We had all the good songs.
So join in the Folk Song Army,
Guitars are the weapons we bring
To the fight against poverty, war, and injustice.
Ready! Aim! Sing!