Why I don’t like today’s war movies — it’s not the plot, it’s the people behind the movie

Someone gave us tickets to see a play called Black Watch, about the famed Scottish regiment in the British Army.  The play premiered in 2006 in Edinburgh, at the height of anti-War fervor.  It tells the story of a regiment that goes back 300 years, that bore the brunt of a bad attack in Iraq, and that was later folded into another regiment, to the distress of its members and many in Scotland.  The genesis for the play was a series of news reports about returning vets getting into bar fights, etc.  (Of course, when I heard that, I immediately wondered if these guys would have gotten into bar fights regardless, consistent with their working class Scottish demographic, and then made news solely because of their Black Watch affiliation.)

Here’s a YouTube promo that gives you an idea about the play.  I got tired just watching it:

Although everybody on the Left who wrote it, produced it, acted in it, or reviewed it insists that it’s “even handed,” I have to admit to having my doubts.  I’ll try to keep an open mind, though.  It might indeed be a moving tribute to a long-standing regiment.  (My Dad — who was in the RAF, but ended up in ANZAC, and then somehow served as an infantryman — fought aside the Black Watch in El Alamein.  He carried with him memories of being piped into battle.)

The good thing is that the actors I’ll be watching are all actually Scottish, so they’ll have the accent right.  The bad news — and the reason I have an icky feeling about the play, even if it is well-done and is even-handed — is that I’m absolutely certain that the majority of them are anti-War.  I mean, think about it:  young, Scottish, in the Arts — they’ve got to be Leftists.  I certainly don’t have proof, but I have a reasonable hypothesis, right?

What this means is that those who are ostensibly paying respectful homage to generations of Black Watch soldiers in fact think of soldiers as sadistic baby killers.  For such actors, every depiction of a good soldier is a parody, because there’s no such thing.  And every depiction of a bad soldier — whether on the field or off — feels right because, after all, that’s what troops are . . . BAD.

This is why I hate modern war movies.  It’s not just because I’m squeamish.  It’s because I know that the actors, producers, and directors making those movies hate everything the troops stand for:  their masculine culture (which is why the huge push for homosexuals generally and women on the front lines), their religion (which is why Obama’s Pentagon has hired a rabid Christian hater to work with it on “tolerance”), and their belief that war is the only way to solve some problems (“War, for the times when a ‘Coexist’ bumper sticker just won’t get the job done.”).

To me, it’s a cruel travesty to watch poncy Hollywood (or Scottish) actors bound around pretending to be masculine and brave.  It’s not just that they’re scared little boys pretending; it’s that they’re scared little boys who despise the real thing.

All of this makes it very ironic that Steven Spielberg, he of the anti-War left, has signed on to make a Chris Kyle biopic.  Chris Kyle wasn’t politically correct.  He loved war when it was just, he loved fighting, he loved the manliness of his military environment, and he absolutely and completely hated the people against whom he fought:  the savage barbarians of Islam.  One can bet, though, that in Spielberg’s limp hands, Kyle will become an anguished figure, trying to come to terms with the havoc he’s wreaked upon the innocent people of Iraq.

Incidentally, one of the reasons WWII war films worked so well, and are still watchable, was because the people in them supported the war effort.  Some enlisted, some served, some were in the Army Reserve since 1937 but couldn’t serve because of bad vision (that would be Ronald Reagan), and all believed that America needed to beat the Axis.  Yes, a lot of the actors were scared little boys pretending, but they admired the real thing, rather than despising it.

After I’ve seen Black Watch, I’ll let you know what I think of it, and whether my fears were realized.

Be Sociable, Share!
  • Robert Arvanitis

    The left may lie, except there seems to be a different part of the brain that creates art.
    And in art, there must be truth. All the bad anti-war movies have failed.  Those that dealt honestly with all sides did not.  Even the hardcore left knows this in their art.
    Remember “Guarding Tess?”  Nicholas Cage as secret service guarding former first lady Shirley MacLaine.  MacLaine is kidnapped, buried alive.  Cage shoots the toe off of the bad guy to save her.  And it works.  We are rooting for him to do it.
    So much for condemning “torture” like mishandling the Koran.

  • jj

    “Poncy?”  Speaking of the right accent…

  • Mike Devx

    The next big pro-American war movie will be made outside the Hollywood mainstream.
    “Passion of the Christ” showed how it could be done for a pro-Christian, pvertly religious movie.  “Taken” showed how to do it for an action thriller.  “Act of Valor” was an awfully good pro-American war movie.  None of them would have been made via a typical Hollywood studio approach.  All were loathed by leftist movie critics.  The American public was overwhelmingly enthusiastic about all three.

  • http://ymarsakar.wordpress.com Ymarsakar

    They don’t use these war movies so much as propaganda as a way to fund propaganda. They take money from the naive masses and then funnel them to money cleaning services such as unions or political donations.
    It is truly a great way to have a capitalist sell you the rope they will be hanged with.

  • Pingback: Bookworm Room » No wonder Britain lost her Empire and is now busy losing her nation()