For almost a year now, LACMA (aka the Los Angeles County Museum of Art) has been pushing illegal immigration propaganda at taxpayer expense.
Los Angeles County taxpayers cough up $29 million a year to cover operating costs for the Los Angeles County Museum of Art, aka LACMA. I wonder if anyone asked them if they approve of the museum’s newest installation: Carne y Arena (literally: meat and sand). The installation is intended to give the average museum goer (who’s willing to sign a waiver) the illegal immigrant experience. Here’s how the museum describes the exhibition, which opened last July and ends at the beginning of this July:
Alejandro G. Iñárritu’s conceptual virtual reality installation CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees. Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees’ personal journeys. An immersive installation that reunites frequent collaborators Iñárritu and Emmanuel Lubezki alongside producer Mary Parent and ILMxLAB, CARNE y ARENA is centered around a 6 ½-minute virtual reality sequence for one person that employs state-of-the-art immersive technology to create a multi-narrative light space with human characters.
“During the past four years in which this project has been growing in my mind, I had the privilege of meeting and interviewing many Mexican and Central American refugees. Their life stories haunted me, so I invited some of them to collaborate with me in the project,” Iñárritu says. “My intention was to experiment with VR technology to explore the human condition in an attempt to break the dictatorship of the frame, within which things are just observed, and claim the space to allow the visitor to go through a direct experience walking in the immigrants’ feet, under their skin, and into their hearts.”
That’s a pretty bland, abstract description. A pro-illegal immigration Proggie friend of mine, though, went and was blown away by the wonder of it all. I’ve restated his glowing description in my own less glowing words, but the substance of what he said is still there.
The exhibition is meant to have you experience through virtual reality (it’s hot and sandy in the exhibition) what a Honduran, El Salvadoran, Merxican or Guatemalan experiences as he or she journeys north through the Sonoran desert to enter America illegally through Arizona. After you’ve signed a waiver, lest the good folks at LACMA make you uncomfortable, and taken off your shoes, your adventure begins.
Thrill to the experience of having border guards surround you with helicopters and vans to arrest you. Then, having gotten yourself (as promised) hot and covered with sand, you get to see videos of real illegal aliens reenacting their experiences for the camera. (I assume it’s some form of PTSD psychotherapy for illegal aliens.) [Read more…]